The film drew the attention of federal prosecutors, who discovered that filmmaker Mark Basseley Youssef used several false names in violation of probation from a 2010 check fraud case. But ended up in a five-second scene in which her voice was dubbed over and her character asked if Muhammad was a child molester.
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Garcia was paid $500 for a movie called "Desert Warrior" she believed had nothing to do with religion. "She is under threat of death if she is not successful in removing it," Armenta argued. A gifted young boy searches for his parents in New York City, certain that music has the power to bring their family back together. But Armenta previously said the extraordinary circumstances justified the extreme action of a court injunction against YouTube. "The ultimate effect is to harm the marketplace of speech," attorney Neal Katyal told the court.Ĭris Armenta, a lawyer for Garcia, did not immediately respond to a request for comment Monday.
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YouTube and other Internet companies were concerned they could be besieged with takedown notices, though it could be hard to contain the film that is still found online.Ī lawyer for Google argued in December that if a bit player in a movie has copyright privileges, it could extend to minor characters in blockbusters, shatter copyright law and ultimately restrict free speech because anyone unhappy with their performance could have it removed from the Internet. Google, which said those requests amounted to censorship, was joined by an unusual alliance of filmmakers, other Internet companies and prominent news media organizations that didn't want the court to alter copyright law or infringe on First Amendment rights. The film inspired rioting by those who considered it blasphemous to the Prophet Muhammad and President Barack Obama and other world leaders asked Google to take it down. A Google spokesman did not immediately respond to an email seeking comment. It wasn't immediately clear if or when the video would be reposted on YouTube. (PG) 114 min.Google argued Garcia had no claim to the film because the filmmaker wrote the dialogue, managed the production and dubbed over her lines.
Fortunately, "August Rush" is too forgettable to knock it out of you for long. Everything builds to a climactic concert, where, in the last of the film's many insults to music-making, the New York Philharmonic premieres the waif's fledgling opus, a moronic string of banalities that everyone on-screen treats as a revelation.Įarly on, August laments of his love of music, "Sometimes the world tries to knock it out of you." Indeed it does.
Not so for "August Rush." Still, director Kirsten Sheridan has gone out of her way to make this far-fetched stuff especially unpalatable. It's always tempting to say that handled differently, even the most tiresome movie might have been a blast. Confused? Suffice it to say that this is a world where mothers do not ask about the whereabouts of babies they just delivered and where telephone directories are apparently as yet unknown. Unaccountably, neither can ever find the other, and neither knows that their child is alive. Their romance lasts all of eight hours, after which they are sundered. Mom (Keri Russell) is a virtuoso cellist, while dad (Jonathan Rhys Meyers) is a name in the downtown rock scene. In a long and loopy flashback, we discover that little August is the love child of two rising musical stars. He flees to New York, where his talent is exploited by one Wizard (Robin Williams), the Fagin of the piece, who shelters a troop of pint-size buskers and re-christens his latest property August Rush. If only he could let the melodies inside him out, he wackily muses, his parents might hear it and find him. Trapped in an orphanage, he's sustained only by his hopes for reuniting with his parents and his love of music. The prodigy in question is played by the talented Freddie Highmore ("Finding Neverland"), who here is confined to showcasing his dimples and staring heavenward in imbecilic rapture. How else to explain the cruelly timed release of "August Rush," a wretched confection that only the most determined will be able to count among their blessings? Partly an updating of "Oliver!" this fairy tale drama of a musical prodigy's search for his parents might temporarily put you off music, children and families altogether. Someone in Hollywood must have it in for Thanksgiving.
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